PASS THE MIC! AND CHECK THE RHYME.

Word Of Wisdom


I made this widget at MyFlashFetish.com.

Saturday, January 26, 2008

MY NEW PC!

I have just bought me a new PC. What do you think? Photos are below.


моддинг


моддинг

моддинг

моддинг

моддинг

моддинг

Yust kidding about bying this, but you gotta admit it's a good idea, and pretty funny too.

BRASILIAN FOOTBALL NAME GENERATOR

This site, that I have found is very funny.
Just click on this link below. You will find out what your name would be if you played for Brasil!!!

Link:BRAZIL NAME GENERATOR


Friday, January 25, 2008

PUBLIC ENEMY

Public Enemy - Fear Of A Black Planet -Ovaj album je bio taj koji me je potakao da nastavim slusati rap muziku sve do danas. Dobio sam ga davne 1990te godine od prijatelja u vidu kasete (tada jos nisu bili rasireni CDovi), i odmah sam se zarazio textovima koji su izlazili iz usta Chuck D-a i Flavor Flava. Ovo je treci album koji su izdali, i prema mojem misljenju to je njihov najbolji uradak.
Suze i nostalgija mi naviru!!!





01 - Contract on World Love Jam.mp3
02 - Brothers Gonna Work It Out.mp3
03 - 911 is a Joke.mp3
04 - Incident at 66.6 FM.mp3
05 - Welcome to the Terrordome.mp3
06 - Meet the G That Killed Me.mp3
07 - Pollywanacraka.mp3
08 - Anti-Nigger Machine.mp3
09 - Burn Hollywood Burn.mp3
10 - Power to the People.mp3
11 - Who Stole the Soul.mp3
12 - Fear of a Black Planet.mp3
13 - Revolutionary Generation.mp3
14 - Can't do Nuttin For Ya Man.mp3
15 - Reggie Jax.mp3
16 - Leave This Off Your Fuckin Charts.mp3
17 - B Side Wins Again.mp3
18 - War at 33.3.mp3
19 - Final Countdown of the Collision Between Us and the Damned.mp3
20 - Fight the Power.mp3


Corner Grab:
Download
pass: mcxlvii

or try this link: http://rapidshare.com/files/53632204...ack_Planet.zip


Ovdje mozete vidjeti njihovu biografiju na engleskom (preuzeto sa stranice www.allmusic.com):




PUBLIC ENEMY BIOGRAPHY:
Public Enemy rewrote the rules of hip-hop, becoming the most influential and controversial rap group of the late '80s and, for many, the definitive rap group of all time. Building from Run-D.M.C.'s street-oriented beats and Boogie Down Productions' proto-gangsta rhyming, Public Enemy pioneered a variation of hardcore rap that was musically and politically revolutionary. With his powerful, authoritative baritone, lead rapper Chuck D rhymed about all kinds of social problems, particularly those plaguing the black community, often condoning revolutionary tactics and social activism. In the process, he directed hip-hop toward an explicitly self-aware, pro-black consciousness that became the culture's signature throughout the next decade.

Musically, Public Enemy was just as revolutionary, as their production team, the Bomb Squad, created dense soundscapes that relied on avant-garde cut-and-paste techniques, unrecognizable samples, piercing sirens, relentless beats, and deep funk. It was chaotic and invigorating music, made all the more intoxicating by Chuck D's forceful vocals and the absurdist raps of his comic foil, Flavor Flav. With his comic sunglasses and an oversized clock hanging from his neck, Flav became the group's visual focal point, but he never obscured the music. While rap and rock critics embraced the group's late-'80s and early-'90s records, Public Enemy frequently ran into controversy with their militant stance and lyrics, especially after their 1988 album It Takes a Nation of Millions to Hold Us Back made them into celebrities. After all the controversy settled in the early '90s, once the group entered a hiatus, it became clear that Public Enemy was the most influential and radical band of their time.

Chuck D (born Carlton Ridenhour, August 1, 1960) formed Public Enemy in 1982, as he was studying graphic design at Adelphi University on Long Island. He had been DJing at the student radio station WBAU, where he met Hank Shocklee and Bill Stephney. All three shared a love of hip-hop and politics, which made them close friends. Shocklee had been assembling hip-hop demo tapes, and Ridenhour rapped over one song, "Public Enemy No. 1," around the same time he began appearing on Stephney's radio show under the Chuckie D pseudonym. Def Jam co-founder and producer Rick Rubin heard a tape of "Public Enemy No. 1" and immediately courted Ridenhour in hopes of signing him to his fledgling label.

Chuck D initially was reluctant, but he eventually developed a concept for a literally revolutionary hip-hop group -- one that would be driven by sonically extreme productions and socially revolutionary politics. Enlisting Shocklee as his chief producer and Stephney as a publicist, Chuck D formed a crew with DJ Terminator X (born Norman Lee Rogers, August 25, 1966) and fellow Nation of Islam member Professor Griff (born Richard Griffin) as the choreographer of the group's backup dancers, the Security of the First World, who performed homages to old Stax and Motown dancers with their martial moves and fake Uzis. He also asked his old friend William Drayton (born March 16, 1959) to join as a fellow rapper. Drayton developed an alter ego called Flavor Flav, who functioned as a court jester to Chuck D's booming voice and somber rhymes in Public Enemy.

Public Enemy's debut album, Yo! Bum Rush the Show, was released on Def Jam Records in 1987. Its spare beats and powerful rhetoric were acclaimed by hip-hop critics and aficionados, but the record was ignored by the rock and R&B mainstream. However, their second album, It Takes a Nation of Millions to Hold Us Back, was impossible to ignore. Under Shocklee's direction, PE's production team, the Bomb Squad, developed a dense, chaotic mix that relied as much on found sounds and avant-garde noise as it did on old-school funk. Similarly, Chuck D's rhetoric gained focus and Flavor Flav's raps were wilder and funnier. A Nation of Millions was hailed as revolutionary by both rap and rock critics, and it was -- hip-hop had suddenly became a force for social change.

As Public Enemy's profile was raised, they opened themselves up to controversy. In a notorious statement, Chuck D claimed that rap was "the black CNN," relating what was happening in the inner city in a way that mainstream media could not project. Public Enemy's lyrics were naturally dissected in the wake of such a statement, and many critics were uncomfortable with the positive endorsement of black Muslim leader Louis Farrakhan on "Bring the Noise." "Fight the Power," Public Enemy's theme for Spike Lee's controversial 1989 film Do the Right Thing, also caused an uproar for its attacks on Elvis Presley and John Wayne, but that was considerably overshadowed by an interview Professor Griff gave The Washington Post that summer. Griff had previously said anti-Semitic remarks on-stage, but his quotation that Jews were responsible for "the majority of the wickedness that goes on across the globe" was greeted with shock and outrage, especially by white critics who previously embraced the group. Faced with a major crisis, Chuck D faltered. First he fired Griff, then brought him back, then broke up the group entirely. Griff gave one more interview where he attacked Chuck D and PE, which led to his permanent departure from the group.

Public Enemy spent the remainder of 1989 preparing their third album, releasing "Welcome to the Terrordome" as its first single in early 1990. Again, the hit single caused controversy as its lyrics "still they got me like Jesus" were labeled anti-Semitic by some quarters. Despite all the controversy, Fear of a Black Planet was released to enthusiastic reviews in the spring of 1990, and it shot into the pop Top Ten as the singles "911 Is a Joke," "Brothers Gonna Work It Out," and "Can't Do Nuttin' for Ya Man" became Top 40 R&B hits. For their next album, 1991's Apocalypse 91...The Enemy Strikes Black, the group re-recorded "Bring the Noise" with thrash metal band Anthrax, the first sign that the group was trying to consolidate their white audience. Apocalypse 91 was greeted with overwhelmingly positive reviews upon its fall release, and it debuted at number four on the pop charts, but the band began to lose momentum in 1992 as they toured with the second leg of U2's Zoo TV tour and Flavor Flav was repeatedly in trouble with the law. In the fall of 1992, they released the remix collection Greatest Misses as an attempt to keep their name viable, but it was greeted to nasty reviews.

Public Enemy was on hiatus during 1993, as Flav attempted to wean himself off drugs, returning in the summer of 1994 with Muse Sick-n-Hour Mess Age. Prior to its release, it was subjected to exceedingly negative reviews in Rolling Stone and The Source, which affected the perception of the album considerably. Muse Sick debuted at number 14, but it quickly fell off the charts as it failed to generate any singles. Chuck D retired Public Enemy from touring in 1995 as he severed ties with Def Jam, developed his own record label and publishing company, and attempted to rethink Public Enemy. In 1996, he released his first debut album, The Autobiography of Mistachuck. As it was released in the fall, he announced that he planned to record a new Public Enemy album the following year.

Before that record was made, Chuck D published an autobiography in the fall of 1997. During 1997, Chuck D reassembled the original Bomb Squad and began work on three albums. In the spring of 1998, Public Enemy kicked off their major comeback with their soundtrack to Spike Lee's He Got Game, which was played more like a proper album than a soundtrack. Upon its April 1998 release, the record received the strongest reviews of any Public Enemy album since Apocalypse '91...The Enemy Strikes Black. After Def Jam refused to help Chuck D's attempts to bring PE's music straight to the masses via the Internet, he signed the group to the web-savvy independent Atomic Pop. Before the retail release of Public Enemy's seventh LP, There's a Poison Goin' On..., the label made MP3 files of the album available on the Internet. It finally appeared in stores in July 1999.

After a three-year break from recording and a switch to the In the Paint label, Public Enemy released Revolverlution, a mix of new tracks, remixes, and live cuts. The CD/DVD combo It Takes a Nation appeared in 2005. The multimedia package contained an hourlong video of the band live in London in 1987 and a CD with rare remixes. The new album New Whirl Odor also appeared in 2005. The "special projects" album Rebirth of a Nation -- an album with all rhymes written by Bay Area rapper Paris -- was supposed to be released right along with it, but didn't appear until early the next year. The odds-and-ends collection Beats and Places appeared before the end of 2006. Featuring the single "Harder Than You Think," How You Sell Soul to a Soulless People Who Sold Their Soul??? arrived in the summer of 2007.

HIP HOP BOX

Za sve one koji zele uci u glazbeni hip hop vremeplov i cuti kako su zvucale rime i beatovi u samom zacetku, 1979. pa sve do 2003. godine poslusajte ovaj Hip Hop Box!
Vjerujte necete pozaliti.
U box-u se nalaze Kurtis Blow, Sugarhill Gang, Africa Bambataa, ...., Dr Dre, Wu Tang Clan i mnogi drugi renomirani Hip Hop izvodjaci.


Hip Hop Box [2004]


Traxx:

Volume.1:
1. Rapper’s Delight - The Sugarhill Gang (short 12″ version)
2. Breaks, The - Kurtis Blow (extended version)
3. Body Rock, The - The Treacherous 3
4. Planet Rock - Afrika Bambaataa & The Soul Sonic Force
5. Message, The - Grandmaster Flash & The Furious Five/Melle Mel/Duke Bootee
6. Sucker M.C.’s (Krush Groove 1) - Run-DMC
7. Roxanne Roxanne - UTFO
8. Roxanne’s Revenge - Roxanne Shante
9. Push It - Salt ‘N Pepa
10. Freaky Tales - Too $hort
11. Wild Wild West - Kool Moe Dee

Volume.2:
1. Follow The Leader - Eric B. & Rakim
2. My Philosophy - Boogie Down Productions (12″ version)
3. I’m Your Pusher - Ice-T
4. Turn This Mutha Out - M.C. Hammer
5. Fight The Power - Public Enemy (soundtrack version)
6. Me So Horny - The 2 Live Crew
7. Just A Friend - Biz Markie
8. Buddy - De La Soul/Jungle Brothers/Q-Tip/Phife/Queen Latifah/Monie Love (Native Tongue Decision Version)
9. Gas Face, The - 3rd Bass
10. I Left My Wallet In El Segundo - A Tribe Called Quest
11. Looking At The Front Door - Main Source
12. Treat ‘Em Right - Chubb Rock

Volume.3:
1. O.P.P. - Naughty By Nature
2. Summertime - DJ Jazzy Jeff & The Fresh Prince
2. Summertime - DJ Jazzy Jeff & The Fresh Prince
4. Choice Is Yours, The - Black Sheep (revisited)
5. Tennessee - Arrested Development
6. They Reminisce Over You (T.R.O.Y.) - Pete Rock & C.L. Smooth
7. Rebirth Of Slick (Cool Like Dat) - Digable Planets
8. Passin’ Me By - The Pharcyde
9. Slam - Onyx
10. U.N.I.T.Y. - Queen Latifah
11. C.R.E.A.M. - Wu-Tang Clan
12. Regulate - Warren G/Nate Dogg
13. Flava In Ya Ear - Craig Mack
14. I’ll Be There For You / You’re All I Need To Get By - Method Man/Mary J. Blige (Puff Daddy mix)


Volume.4:
1. How High - Redman/Method Man (remix)
2. Gettin’ Money - Junior M.A.F.I.A./Little Caesar/Little Kim/The Notorious B.I.G. (The Get Money remix)
3. Tha Crossroads - Bone Thugs-N-Harmony
4. Smile - Scarface/2Pac/Johnny P
5. Put Your Hands Where My Eyes Could See - Busta Rhymes
6. Luv 2 Luv U - Timbaland/Magoo (remix)
7. You Know My Steez - GangStarr
8. Get At Me Dog - DMX/Sheek
9. Superthug (What, What) - Noreaga
10. You Got Me - The Roots/Jill Scott (live)
11. Light, The - Common
12. Until The End Of Time - 2Pac (RP remix)
13. 21 Questions - 50 Cent/Nate Dogg
14. Next Episode, The - Dr. Dre/Snoop Dogg


Corner Grab:
PART 1
PART2
PART3
PART4

Thursday, January 24, 2008

RUN DMC

BIOGRAPHY (taken from http://www.allmusic.com )




More than any other hip-hop group, Run-D.M.C. are responsible for the sound and style of the music. As the first hardcore rap outfit, the trio set the sound and style for the next decade of rap. With their spare beats and excursions into heavy metal samples, the trio were tougher and more menacing than their predecessors Grandmaster Flash and Whodini. In the process, they opened the door for both the politicized rap of Public Enemy and Boogie Down Productions, as well as the hedonistic gangsta fantasies of N.W.A. At the same time, Run-D.M.C. helped move rap from a singles-oriented genre to an album-oriented one -- they were the first hip-hop artist to construct full-fledged albums, not just collections with two singles and a bunch of filler. By the end of the '80s, Run-D.M.C. had been overtaken by the groups they had spawned, but they continued to perform to a dedicated following well into the '90s.

All three members of Run-D.M.C. were natives of the middle-class New York borough Hollis, Queens. Run (born Joseph Simmons, November 14, 1964) was the brother of Russell Simmons, who formed the hip-hop management company Rush Productions in the early '80s; by the mid-'80s, Russell had formed the pioneering record label Def Jam with Rick Rubin. Russell encouraged his brother Joey and his friend Darryl McDaniels (born May 31, 1964) to form a rap duo. The pair of friends did just that, adopting the names Run and D.M.C., respectively. After they graduated from high school in 1982, the pair enlisted their friend Jason Mizell (born January 21, 1965) to scratch turntables; Mizell adopted the stage name Jam Master Jay.

In 1983, Run-D.M.C. released their first single, "It's Like That"/"Sucker M.C.'s," on Profile Records. The single sounded like no other rap at the time -- it was spare, blunt, and skillful, with hard beats and powerful, literate, daring vocals, where Run and D.M.C.'s vocals overlapped, as they finished each other's lines. It was the first "new school" hip-hop recording. "It's Like That" became a Top 20 R&B hit, as did the group's second single, "Hard Times"/"Jam Master Jay." Two other hit R&B singles followed in early 1984 -- "Rock Box" and "30 Days" -- before the group's eponymous debut appeared.

By the time of their second album, 1985's King of Rock, Run-D.M.C. had become the most popular and influential rappers in America, already spawning a number of imitators. As the King of Rock title suggests, the group were breaking down the barriers between rock & roll and rap, rapping over heavy metal records and thick, dense drum loops. Besides releasing the King of Rock album and scoring the R&B hits "King of Rock," "You Talk Too Much," and "Can You Rock It Like This" in 1985, the group also appeared in the rap movie Krush Groove, which also featured Kurtis Blow, the Beastie Boys, and the Fat Boys.

Run-D.M.C.'s fusion of rock and rap broke into the mainstream with their third album, 1986's Raising Hell. The album was preceded by the Top Ten R&B single "My Adidas," which set the stage for the group's biggest hit single, a cover of Aerosmith's "Walk This Way." Recorded with Aerosmith's Steven Tyler and Joe Perry, "Walk This Way" was the first hip-hop record to appeal to both rockers and rappers, as evidenced by its peak position of number four on the pop charts. In the wake of the success of "Walk This Way," Raising Hell became the first rap album to reach number one on the R&B charts, to chart in the pop Top Ten, and to go platinum, and Run-D.M.C. were the first rap act to received airplay on MTV -- they were the first rappers to cross over into the pop mainstream. Raising Hell also spawned the hit singles "You Be Illin'" and "It's Tricky."

Run-D.M.C. spent most of 1987 recording Tougher Than Leather, their follow-up to Raising Hell. Tougher Than Leather was accompanied by a movie of the same name. Starring Run-D.M.C., the film was an affectionate parody of '70s blaxploitation films. Although Run-D.M.C. had been at the height of their popularity when they were recording and filming Tougher Than Leather, by the time the project was released, the rap world had changed. Most of the hip-hop audience wanted to hear hardcore political rappers like Public Enemy, not crossover artists like Run-D.M.C. Consequently, the film bombed and the album only went platinum, failing to spawn any significant hit singles.

Two years after Tougher Than Leather, Run-D.M.C. returned with Back From Hell, which became their first album not to go platinum. Following its release, both Run and D.M.C. suffered personal problems as McDaniels suffered a bout of alcoholism and Simmons was accused of rape. After McDaniels sobered up and the charges against Simmons were dismissed, both of the rappers became born-again Christians, touting their religious conversion on the 1993 album Down With the King. Featuring guest appearances and production assistance from artists as diverse as Public Enemy, EPMD, Naughty by Nature, A Tribe Called Quest, Neneh Cherry, Pete Rock, and KRS-One, Down With the King became the comeback Run-D.M.C. needed. The title track became a Top Ten R&B hit and the album went gold, peaking at number 21. Although they were no longer hip-hop innovators, the success of Down With the King proved that Run-D.M.C. were still respected pioneers.

After a long studio hiatus, the trio returned in early 2000 with Crown Royal. The album did little to add to their ailing record sales, but the following promotional efforts saw them join Aerosmith and Kid Rock for a blockbuster performance on MTV. By 2002, the release of two greatest-hits albums prompted a tour with Aerosmith that saw them travel the U.S., always performing "Walk This Way" to transition between their sets. Sadly, only weeks after the end of the tour, Jam Master Jay was senselessly murdered in a studio session in Queens. Only 37 years old, the news of his passing spread quick and hip-hop luminaries like Big Daddy Kane and Funkmaster Flex took the time to pay tribute to him on New York radio stations. Possibly the most visible DJ in the history of hip-hop, his death was truly the end of an era and unfortunately perpetuated the cycle of violence that has haunted the genre since the late '80s.


Ova biografija je preuzeta sa stranice www.allmusic.com. Tko zna engleski moze je procitati, a tko ne zna neka priceka. Uskoro ce biti i prijevod.
A do tada evo par linkova za one koji zele cuti kako Run DMC zapravo zvuce.


Run D.M.C. - Back From Hell (1990)

1. Sucker D.J.'s

2. The Ave.
3. What's It All About
4. Bob Your Head
5. Faces
6. Kick The Frama Lama Lama
7. Pause
8. Word Is Born
9. Back From Hell
10. Don't Stop
11. Groove To The Sound
12. P Upon A Tree
13. Naughty

14. Livin' In The City
15. Not Just Another Groove
16. Party Time

Corner Grab:
PART1
PART2
(Password: stanley01)


Run D.M.C. - Down with the King (1993)

1.Down With The King
2.Come On Everybody
3.Can I Get It, Yo
4.Hit 'Em Hard
5.To the Maker
6.3 In The Head
7.Ooh, Whatcha Gonna Do
8.Big Willie

9.Three Little Indians
10.In The House

11.Can I Get A Witness
12.Get Open
13.What's Next
14.Wreck Shop

15.For 10 Years


Corner Grab:
PART1
PART2
(Password: stanley01)

Wednesday, January 23, 2008

Romeo & Juliet - bosansko izdanje

Romeo i Julija, bosansko izdanje



ROMEO: (polupijan ispod njenog prozora)
Hajd' bona silazi, ne pravi se luda!

JULIJA: (pospana, bezvoljna, nikakva)
Ako ti moj stari sidje ostaces bez muda...

ROMEO: Nesto mi se, o prohtjelo bas
ove prekrasne noci da mi je das

JULIJA: Tvoj mac bih zarko osjetiti htjela
al' veceras oca m' ne bih smjela.

ROMEO: Skraticu za glavu svakog' nek se zna
ko te bude im'o prije nego ja.

JULIJA: Romeo, Romeo, daj jednom shvati
samo sam je tebi spremna dati

ROMEO: Dobro, da ne bih mor'o tude glave sjec'
ovog puta vjerovacu ti na rijec

JULIJA: Hajd' sad kuci, jebo ti sve
joj vid' kolko je sati! Hajd' cuvaj se!

ROMEO: De barem tol'ko se odvazi
pa mi je na minut pokazi!

JULIJA: (taman krenu da skine gace)
Joj, bjezi, eto mi cace.

OTAC JULIJE: Mangupe jedan, opet si dos'o
kako si samo kroz mine pros'o?!

ROMEO: Nemojte cika Mato
Julija je moje zlato.

JULIJA: (ocu) Ma ja ga uopste ne znam
nisam ga zvala, dos'o je sam.

ROMEO: M'rsss, ne lazi, kujo mala!
Znam ja sve kome si dala.

JULIJIN OTAC: Odlazi odavde bijedni psu
dok nisi pao mrtav tu!

JULIJA: Ma ti si Romeo u seksu amater.
Udri ga, babo, jebes mu mater!

ROMEO: (dade se u panican bijeg
brzo k'o metak pobjeze uz brijeg)

JULIJA (prasnu u smijeh) A vid mangupa al' bjezi
a htio bi kraj mene da lezi.

JULIJIN OTAC: Babo ce tebi momka da nadje
a ovog ce uhljupa neko zlo da snadje.

ROMEO (vice s brijega) E mangupe, dodji u carsiju ako smijes
da vidim jesi l' spreman da se bijes.

JULIJA: (cerekajuci se) Romeo, Romeo, odjebi ba
ako nastavi¹ tako ranicu se ja.

JULIJIN OTAC: Idi kuci bolan Romeo
dok nisam s tobom asfalt pomeo.

ROMEO: Ako zovnem Hamleta mog jarana
nece¹ izac' iz bolnice mjesec dana.

JULIJA: E dobar ti jaran, dobro ga znam
neki dan je trazio da mu je dam.

ROMEO: Opet laze¹, on Ofeliju voli
sta ima tebe za sex da moli.



JULIJIN OTAC: (Ode u kucu, vode da pije)

JULIJA (K'o fol ozbiljna, a u sebi se smije)

ROMEO: Odoh sada kuci, ko te jebe
idem da nadjem trebu za sebe.

JULIJA: Nemoj bolan Romeo strpi se do jutra
ako ne dobijem, dacu ti sutra.

ROMEO: Ma daji kome hoces, sad mi je svejedno
ne zelim vise da zivim ovako bijedno.

JULIJA: Ma steta da nestane taki sevac.
Ne zelis valjda da umres k'o djevac?

(Zadi¾e majicu, pokaza mu grudi
u Romeu poce zelja da se budi)

ROMEO: (sav ushicen) O Julija, oko moje crno
ma neka me pogodi puscano zrno.

Eto me k tebi, nemogu vise
iako znam da crno mi se pise.

JULIJA: Dodji, dodji, dilbere moj
da vidim taj buzdovan tvoj.

ROMEO: (Trci, sa sebe odjecu skida
draganu svoju ne gubi iz vida)

(Ulazi kroz prozor, na trosjed sjeda)

JULIJA: Pozuri dok babo utakmicu gleda!

ROMEO: Hajde, hajde, brze se skidaj!
Ako naidje ti vikni "Kidaj!"

JULIJA: (Dohvati nekakvu polupraznu bocu
vise i ne razmisljajuci o svome ocu)

Hajd' da popijemo, pa sta god da je
cula sam da onda duze traje.

ROMEO: Ne trazi ca¹e
picemo iz flase.

JULIJA: Hajd' ja cu prva prince moj.
Uh masalla, masalla kol'ki je taj tvoj!

ROMEO: (Uze iz Julijinih ruku flasu)
Hajd' da pijemo za ljubav nasu.

Ispraznise bocu za par minuta
Julija postade k'o nesto ljuta.

JULIJA: Znas da moje srce tebe voli
al' sad me nesto poce stomak da boli.

ROMEO: A joj meni, djevojko bludna
nece¹ valjda reci da si trudna!

JULIJA: Marsss, gluho bilo, stoko jedna
tvoja su nagadjanja tako bijedna.

ROMEO: (Odjednom pade na tlo)
uh jebote, ¹ta sam ovo popio!?

JULIJA: "Otrov za pacove" evo bas citam
nisam prije stigla starog da pitam

ROMEO: O Julija, Julija, ti nas sjeba.
E Romeo ludi, tako ti i treba.

JULIJA: Izvini, Romeo, mislila sam da je vino
ba¹ mi je izgledalo onako fino.

ROMEO: (faca mu je totalno bijesna)
Sad ce ti "mala" ostat tijesna.

JULIJA: Ti umires ne saznavsi sta prava je ljepota
ne "umoci" nista za svoga zivota.

ROMEO: (dopuza do Julije blize)
Na tebe ce vjecno da mi se dize.



To izusti
i dusicu pusti
a samo je htio
da joj ga spusti.

JULIJA: (nestaje joj iz ociju plamen)
Kakva steta, a tvrd mu je k'o kamen.

(Zatvara oci posljednji put)

Znam babo ce biti na mene ljut.



3 dana poslije:
-----------------------

OFELIJA: Jes' cuo za ono dvoje?
Bas steta, onako mladi.

HAMLET: Ma cuo sam bona, neg' se skidaj
dok nema nikog da se nesto radi.

-----------------------

*Dati ili ne dati pitanje je sad*

LOGO LJETNIH OLIMPIJSKIH IGARA 2008

Kako je nastao logo za ljetnu olimpijadu, koja se odrzava ove godine u Kini!




Alejuandro Buendija Bios

ALEJUANDRO BUENDIJA




(Biography-ja, Preuzeto sa officijelne stranice http://www.sinestet.com , gdje jos mozete poslusati izvodjace kao sto su Doppler Efekt,AC3PO, Inkognito Popara, i drugi. Svi su oni clanovi Hip hop super-grupe SINESTET. Tko hoce nek' ode na ovu stranicu pa ih pogleda uzduz i poprijeko. )


Kao bebu pronašao ga je u kanalu za navodnjavanje svojih plantaža marimahune, njegov poočim Fernardo Garcia Buendija, umirovljeni pukovnik, krvnik vojne hunte Edmunda II Osakaćenog. Preživljava grickajući stabljike i sišući cvijetove biljaka u cvatu, zbog cega mu odmah i daju nadimak Cvitko. Odrasta omiljen I pažen, igra se u djevičanskoj prirodi, cvrkuće sa ptičicama, trlja pijesak u slijepoočnice, trčkara medju kolibama roblja sa plantaže, druži se sa malim robovima, koji su u njega usadili ljubav prema ping pongu, kolačima od blata I afričkim sentišima. Nakon što s nepunih 11, u znanstvenom zanosu, slučajno pretvori svog osobnog učitelja Miodraga u papu Ratzingera, roditelji ga šalju u strogi islandski internat, gdje studira preživljavanje u pustinjskim uvjetima, jedući sladoled od motornog ulja, karamele od devine pljuvačke, i med na gradele. U slobodno vrijeme pljuca trešnjine košpice u dub, te kao jedini natjecatelj u toj disciplini, osvaja srebrnu medalju na Olimpijadi izmišljenih sportova, 1988 u Kljacima. . Medjutim, medalja mu je kasnije oduzeta, zbog korištenja nedozvoljenih sredstava, malih padobrančića na košpicama, pomocu kojih se stvara privid vece dubine pada iste. Nakon toga, razočara se u svijet i ljude, te odlazi u Sibir, gdje pušta brkove, svira ukulele, i promatra horizont u vunenim priglavcima. Od ptičice sazna da je u jednoj od rupa koju je iskopao za pljucanje trešnjine košpe u dub, pronadjen izvor dilitija, vraća se u civilizaciji, i u partnerstvu sa vlasnikom terena, bavi se prodajom mesa, lakova, i bling bling dijamanata. Pametno ulažući u dionice gubi sve šta ima, al ipak se vraća u okrutni svijet farmacije, testirajući na sebi eksperimantalne lijekove, Zaboravin i Nerazumin, koje je izumio njegov školski prijatelj dr. Mimoza. Od tada vegetira i radi na sebi, odnosno, bavi se poljoprivredom.

Alejuandro Buendija - Pepermint

Alejuandro Buendija aka Saša Antić TBF - Pepermint (2007)



1. ESEJ
2. LUDI SPLIT'YALL Ft. YURI
3. AJE BOG
4. ALO
5. OTELO ME
6. KAPETAN KAJMAK
7. ADMIRAL KOBRA
8. DR MIMOZA
9. GREŠKA U MATRICI
10. PARANOYAH Ft. PRO
11. SLUČAJ KLINIČKI
12. SPILJA Ft. MAGELLANO
13. POSLJEDNJA VOŽNJA

http://rapidshare.com/files/ 37053593/AB-P- 2007..by_TdK.rar